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e-comune-diventa-notizia/</loc><lastmod>2024-06-02T16:45:44+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/01/bambini-di-sicilia-un-tributo-fotografico-a-enzo-sellerio-nel-centenario-della-sua-nascita/</loc><lastmod>2024-06-03T13:08:07+02:00</lastmod></url><url><loc>https://culture.globalist.it/senza-categoria/2024/06/01/strutture-di-epoca-romana-scoperte-negli-scavi-a-fano/</loc><lastmod>2024-06-01T13:34:38+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/01/psychomachia-un-laboratorio-teatrale-di-errori/</loc><lastmod>2024-06-03T13:02:53+02:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2024/06/01/save-the-children-in-africa-servono-17-milioni-di-insegnanti/</loc><lastmod>2024-06-03T13:10:22+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/01/le-novita-di-rai-kids/</loc><lastmod>2024-06-01T13:43:19+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/01/firenze-in-santa-croce-letture-de-i-promessi-sposi/</loc><lastmod>2024-06-01T16:40:54+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/02/torna-il-milano-latin-festival-per-il-decimo-anno/</loc><lastmod>2024-06-02T18:52:37+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/02/selezionata-la-cinquina-finalista-del-premio-campiello-2024/</loc><lastmod>2024-06-02T16:44:27+02:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2024/06/02/bono-vox-e-gavin-friday-danno-vita-a-una-nuova-versione-di-pierino-e-il-lupo/</loc><lastmod>2024-06-02T20:22:38+02:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2024/06/02/siamoaititolidicoda-la-protesta-dei-lavoratori-del-cinema/</loc><lastmod>2024-06-02T20:36:19+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/03/the-fall-guy-e-laction-movie-che-non-convince/</loc><lastmod>2024-06-03T15:37:23+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/03/alan-lomax-il-collezionista-di-suoni/</loc><lastmod>2024-06-03T11:53:58+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/03/si-arricchisce-il-programma-di-medimex-2024/</loc><lastmod>2024-06-03T16:51:51+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/04/un-viaggio-tra-cultura-e-memoria-con-il-progetto-4p-dedicato-a-pasolini/</loc><lastmod>2024-06-04T14:12:14+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/04/sotto-le-stelle-con-titanus-e-autori-cult-per-tutta-lestate/</loc><lastmod>2024-06-04T14:18:40+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/05/giorni-di-tuono-a-pisa-il-festival-che-celebra-tuono-pettinato/</loc><lastmod>2024-06-05T19:00:41+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/05/donatella-di-pietrantonio-vince-il-premio-strega-giovani/</loc><lastmod>2024-06-05T18:59:43+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/05/il-sequoie-music-park-giunge-alla-quarta-edizione/</loc><lastmod>2024-06-05T18:58:50+02:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2024/06/05/quando-google-maps-sbaglia-strada/</loc><lastmod>2024-06-27T13:09:59+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/06/a-la-kasa-dei-libri-di-milano-la-mostra-per-montale-e-quasimodo/</loc><lastmod>2024-06-06T19:16:36+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/06/io-capitano-e-chien-de-la-casse-vincitori-del-prix-palatine-2024/</loc><lastmod>2024-06-06T19:10:36+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/06/a-palazzi-strozzi-la-mostra-di-anselm-kiefer-niente-di-nuovo-puo-essere-fatto-senza-la-nostra-memoria/</loc><lastmod>2024-06-06T15:36:33+02:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2024/06/06/voto-fuorisede-solo-25mila-universitari-alle-urne/</loc><lastmod>2024-06-10T15:33:52+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/07/centosettanta-opere-di-jacovitti-esposte-al-paff/</loc><lastmod>2024-06-07T17:22:45+02:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2024/06/06/un-iperbolico-spot-di-glovo-promette-il-mondo-a-portata-di-click/</loc><lastmod>2024-06-06T19:05:10+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/07/piero-pelu-ritona-con-il-nuovo-album-deserti/</loc><lastmod>2024-06-07T17:58:36+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/07/in-piazza-maggiore-a-bologna-torna-il-grande-francesco-guccini/</loc><lastmod>2024-06-07T17:11:31+02:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2024/06/07/fabio-genovesi-vince-la-seconda-edizione-del-premio-la-citta-dei-lettori/</loc><lastmod>2024-06-07T19:28:38+02:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2024/06/07/sorpresa-dal-voto-in-india-non-passa-l-idea-di-modificare-la-costituzione/</loc><lastmod>2024-06-07T17:23:37+02:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2024/06/07/peaky-blinders-confermato-film-con-cillian-murphy/</loc><lastmod>2024-06-07T19:47:45+02:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2024/06/08/barbie-black-arriva-il-docu-film-targato-shondaland/</loc><lastmod>2024-06-08T17:36:27+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/08/titanus-120-classics-un-festival-per-celebrare-cinque-grandi-classici-del-cinema-italiano/</loc><lastmod>2024-06-08T18:07:46+02:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2024/06/08/pride-village-virgo-padova-ospita-la-xvil-edizione-del-piu-grande-festival-lgbtqia-italiano/</loc><lastmod>2024-06-08T17:46:47+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/08/arrivano-nelle-sale-prima-della-fine-ed-arrivederci-berlinguer-in-ricordo-del-grande-politico-del-pci/</loc><lastmod>2024-06-08T17:59:13+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/09/casa-del-jazz-fabrizio-bosso-presenta-about-ten/</loc><lastmod>2024-06-09T18:45:38+02:00</lastmod></url><url><loc>https://culture.globalist.it/senza-categoria/2024/06/09/la-poesia-del-calcio-nei-versi-e-nei-testi-di-giovanni-raboni/</loc><lastmod>2024-06-09T18:54:30+02:00</lastmod></url><url><loc>https://culture.globalist.it/senza-categoria/2024/06/09/un-interessante-ritrovamento-agli-scavi-archeologici-di-selinunte/</loc><lastmod>2024-06-09T19:03:59+02:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2024/06/09/hunger-games-arriva-il-nuovo-romanzo-della-saga/</loc><lastmod>2024-06-09T22:45:26+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/10/alla-scoperta-del-cosmo-della-natura-e-del-pianoforte/</loc><lastmod>2024-06-12T10:03:16+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/11/torna-cinema-in-festa-i-film-da-non-perdere/</loc><lastmod>2024-06-11T12:26:46+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/11/lillusione-della-distanza-e-il-tema-del-giffoni-film-festival-2024/</loc><lastmod>2024-06-11T18:04:52+02:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2024/06/11/mare-fuori-al-via-le-riprese-della-quinta-stagione-con-tante-novita-e-nuovi-ingressi-nel-cast/</loc><lastmod>2024-06-11T18:01:28+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/11/busoni-100-con-tanti-spettacoli-a-empoli-in-onore-del-musicista-che-anticipo-le-avanguardie/</loc><lastmod>2024-06-12T09:59:42+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/12/crinali-2024-musica-e-spettacoli-animano-lappennino-bolognese/</loc><lastmod>2024-06-12T17:23:20+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/12/la-casa-editrice-rubbettino-apre-un-museo-dedicato-al-libro-e-alla-tipografia/</loc><lastmod>2024-06-12T17:24:13+02:00</lastmod></url><url><loc>https://culture.globalist.it/mondo/2024/06/12/su-iphone-arrivano-registrazione-e-trascrizione-delle-chiamate/</loc><lastmod>2024-06-12T17:25:14+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/12/bologna-ospita-i-ritratti-dei-giornalisti-uccisi-a-gaza/</loc><lastmod>2024-06-12T17:44:33+02:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2024/06/12/montemaggio-una-storia-partigiana-la-graphic-novel-di-sergio-staino-sulla-strage-nazifascista-ripubblicata-dallanpi-di-siena/</loc><lastmod>2024-06-12T17:43:58+02:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2024/06/13/gli-arsenali-repubblicani-di-pisa-riaprono-i-battenti-per-il-pisa-book-festival/</loc><lastmod>2024-06-13T14:18:34+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/13/al-via-la-prima-edizione-del-red-line-festival-internazionale-di-cinema/</loc><lastmod>2024-06-13T17:27:19+02:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2024/06/13/tim-cook-conquista-chatgpt-la-nuova-piattaforma-si-chima-apple-intelligence/</loc><lastmod>2024-06-13T17:58:09+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/06/13/terra-omini-e-bestie-una-mostra-per-omaggiare-il-grande-altan/</loc><lastmod>2024-06-13T21:14:04+02:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2024/06/13/lo-chiamavano-bocchino-di-rosa/</loc><lastmod>2024-06-20T10:51:03+02:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2024/06/10/europee-il-centro-non-e-piu-centrale-e-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alle/</loc><lastmod>2024-08-10T16:44:50+02:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2024/08/10/la-madison-regala-unaltra-medaglia-allitalia-argento-per-il-duo-viviani-consonni/</loc><lastmod>2024-08-10T19:37:02+02:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2024/08/10/le-gare-di-domani-11-agosto/</loc><lastmod>2024-08-10T19:37:56+02:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2024/08/10/penultima-giornata-di-olimpiadi-le-competizioni-degli-azzurri/</loc><lastmod>2024-08-10T22:43:21+02:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2024/08/10/le-grandi-coliche-non-fermano-tamberi-che-non-puo-ripetere-il-successo-di-tokyo-litalia-lo-applaude/</loc><lastmod>2024-08-19T13:11:13+02:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2024/08/10/giorgio-malan-conquista-il-bronzo-nel-pentathlon-moderno/</loc><lastmod>2024-08-10T20:48:56+02:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2024/08/10/salto-in-alto-e-staffetta-4x400-una-serata-da-ricordare-nonostante-le-avversita/</loc><lastmod>2024-08-10T23:36:41+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/08/11/banksy-sorprende-ancora-londra-con-un-nuovo-felino/</loc><lastmod>2024-08-11T19:59:07+02:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2024/08/11/per-il-volley-femminile-e-un-olimpiade-azzurra/</loc><lastmod>2026-08-20T15:14:05+02:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2024/08/11/strepitose-e-tutte-doro-le-azzurre-di-velasco-chiudono-lolimpiade-con-3-0-agli-stati-uniti/</loc><lastmod>2024-08-11T15:39:44+02:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2024/08/11/cuore-di-de-amicis-assolto-al-processo-storico-in-romagna/</loc><lastmod>2024-08-11T17:29:27+02:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2024/08/11/italia-da-record-parigi-raggiunge-tokyo-e-segna-una-nuova-era-olimpica/</loc><lastmod>2024-08-11T22:29:49+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/08/12/a-pompei-vengono-ancora-alla-luce-due-vittime-delleruzione/</loc><lastmod>2024-08-12T19:54:38+02:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2024/08/12/in-arrivo-il-settembre-dantesco-per-celebrare-i-703-anni-dalla-morte-del-sommo-poeta/</loc><lastmod>2024-08-12T20:05:59+02:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2024/08/13/a-recanati-parte-leopardi-e-le-stelle-un-tour-notturno-a-spasso-per-il-natio-borgo/</loc><lastmod>2024-08-13T13:01:51+02:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2024/08/13/papa-francesco-la-letteratura-come-strumento-di-crescita-personale-e-spirituale/</loc><lastmod>2024-08-19T13:13:44+02:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2024/08/13/ad-hollywwod-nessun-passo-avanti-verso-lequita-i-ruoli-maschili-sono-il-doppio-rispetto-a-quelli-femminili/</loc><lastmod>2024-08-13T18:50:17+02:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2024/08/13/egonu-deturpato-il-murale-davanti-alla-sede-del-coni-che-omaggiava-la-campionessa-olimpica/</loc><lastmod>2024-08-13T18:55:35+02:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2024/08/14/star-wars-a-dicembre-arriva-skeleton-crew/</loc><lastmod>2024-08-14T13:48:58+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/08/14/la-prodigiosa-trasformazione-della-classe-operaia-in-stranieri-ovvero-quando-gli-stranieri-eravamo-noi-italiani/</loc><lastmod>2024-08-14T18:15:06+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/08/14/le-citta-dove-si-legge-di-piu-si-riconfermano-milano-pavia-e-siena/</loc><lastmod>2024-08-14T18:05:16+02:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2024/08/14/il-surriscaldamento-globale-uccide-47-mila-decessi-solo-in-europa/</loc><lastmod>2024-08-14T16:48:15+02:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2024/08/17/ma-chi-e-italiano-ius-soli-ius-scholae-e-ius-culturae-per-ridefinire-la-cittadinanza/</loc><lastmod>2024-08-17T11:27:50+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/08/17/madonna-visita-gli-scavi-di-pompei-e-finanzia-un-progetto-per-ragazzi/</loc><lastmod>2024-08-17T11:48:08+02:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2024/08/17/anno-complicato-per-il-palio-di-siena-dopo-il-rinvio-di-ieri-si-correra-oggi/</loc><lastmod>2024-08-17T15:52:39+02:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2024/08/18/pino-pecorelli-della-babelnova-orchestra-pericoloso-dire-che-litalianita-dipende-dal-colore-della-pelle/</loc><lastmod>2024-08-18T12:09:45+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/08/18/addio-a-alain-delon-leggenda-del-cinema/</loc><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2+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/01/15/il-diavolo-veste-prada-la-recensione/</loc><lastmod>2025-01-16T15:17:14+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2025/01/16/california-in-fiamme-il-fuoco-diventa-anche-politico-con-trump-che-accusa-i-democratici/</loc><lastmod>2025-01-16T14:21:26+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/01/16/foto-inedite-del-giovane-banksy-pubblicate-dalla-bbc/</loc><lastmod>2025-01-16T15:45:28+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/01/16/allestimento-tutto-nuovo-per-la-sala-inferno-del-museo-zeffirli-a-firenze/</loc><lastmod>2025-01-16T15:27:56+01:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2025/01/16/la-juventus-spinge-sul-mercato-ecco-alberto-costa-e-kolo-muani/</loc><lastmod>2025-01-16T15:21:23+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/01/16/il-ritorno-dei-marmi-del-partenone-la-sicilia-apre-la-strada/</loc><lastmod>2025-01-16T14:27:14+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/01/16/oscar-2025-cerimonia-a-rischio-tra-emergenze-e-incertezze/</loc><lastmod>2025-01-16T16:24:06+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/01/16/vermiglio-il-peso-di-chi-resta-il-silenzio-di-chi-parte/</loc><lastmod>2025-01-16T15:34:24+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/01/16/ecco-come-omar-calabrese-interpreto-loliviero-toscani-del-periodo-benetton/</loc><lastmod>2025-01-16T17:45:59+01:00</lastmod></url><url><loc>https://culture.globalist.it/atenei/2025/01/16/riccio-della-castagna-innovazione-antibatterica/</loc><lastmod>2025-01-20T15:00:36+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/01/16/muore-david-linch-il-regista-di-twin-peaks/</loc><lastmod>2025-01-16T20:04:18+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2025/01/17/alla-ricerca-dell-oggetto-perduto-e-leffetto-nostalgia/</loc><lastmod>2025-01-17T13:06:12+01:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2025/01/17/trekking-il-cammino-di-santa-sinforosa-da-roma-a-tivoli-il-selvaggio-anello-mancante-del-turismo-lento/</loc><lastmod>2026-09-13T17:08:37+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/01/17/dal-corridoio-vasariano-ritrovato-un-documento-assente-dal-1946/</loc><lastmod>2025-01-17T17:13:27+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/01/17/lussuose-terme-private-scoperte-nella-zona-residenziale-di-pompei/</loc><lastmod>2025-01-17T19:24:51+01:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2025/01/17/calciomercato-tanti-movimenti-per-le-big-di-serie-a/</loc><lastmod>2025-01-19T13:39:55+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/01/17/twin-peaks-e-il-debito-di-immaginario/</loc><lastmod>2025-01-17T18:06:12+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/01/17/edoardo-bennato-racconti-di-un-prestigiatore-della-musica/</loc><lastmod>2025-01-17T17:40:09+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2025/01/17/m-il-figlio-del-secolo-e-i-giovani-possibile-strumento-didattico-di-stimolo-allapprofondimento-storico-e-culturale-del-periodo-fascista/</loc><lastmod>2025-01-17T18:02:24+01:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2025/01/17/nostalgia-e-innovazione-il-ritorno-di-goldrake-tra-reboot-e-restauro/</loc><lastmod>2025-01-17T19:13:57+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2025/01/17/mafia-individualismo-e-lotta/</loc><lastmod>2025-01-17T19:01:30+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/01/20/here-o-dellimmutabile-mutare-di-luoghi-e-sentimenti/</loc><lastmod>2025-01-20T15:24:37+01:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2025/01/18/e-morta-a-95-anni-lattrice-britannica-joan-plowright/</loc><lastmod>2025-01-18T14:46:52+01:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2025/01/18/tik-tok-terreno-di-scontro-tra-usa-e-cina/</loc><lastmod>2025-01-18T14:49:49+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/01/18/supertramp-live-in-paris-1979-in-formato-speciale/</loc><lastmod>2025-01-18T17:12:38+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/01/18/agrigento-mattarella-cultura-non-e-ammirazione-di-vestige-del-passato-ma-alzare-lo-sguardo-verso-il-domani/</loc><lastmod>2025-01-18T16:57:28+01:00</lastmod></url><url><loc>https://culture.globalist.it/atenei/2025/01/18/linsetto-marino-dal-nome-darth-vader/</loc><lastmod>2025-01-18T23:22:13+01:00</lastmod></url><url><loc>https://culture.globalist.it/mondo/2025/01/1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c>https://culture.globalist.it/arte-e-spettacolo/2025/03/02/i-maestri-del-seicento-a-capodimonte-un-dialogo-artistico-tra-roma-e-napoli/</loc><lastmod>2025-03-02T20:38:45+01:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2025/03/03/trump-vuole-imporre-linglese-come-unica-lingua-ufficiale-degli-stati-uniti-ma/</loc><lastmod>2025-03-03T08:25:55+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/03/norcia-al-centro-del-progetto-di-candidatura-come-capitale-europea-della-cultura-2033/</loc><lastmod>2025-03-03T08:28:48+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/03/unopera-inedita-di-escher-il-borgo-di-montecelio-tra-illusioni-ottiche-influenza-giapponese-e-un-mistero-romantico-del-1924/</loc><lastmod>2026-09-13T06:17:30+02:00</lastmod></url><url><loc>https://culture.globalist.it/mondo/2025/03/03/microsoft-chiude-skype-la-fine-di-unepoca-lunga-22-anni/</loc><lastmod>2025-03-03T08:36:17+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/03/muore-eleonora-giorgi-da-sex-symbol-a-stella-della-commedia-allitaliana/</loc><lastmod>2025-03-03T12:00:28+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/03/trionfo-di-anora-agli-oscar-2025-lacademy-premia-il-cinema-indipendente/</loc><lastmod>2025-03-03T16:10:49+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/04/la-gabriella-e-le-ragazze-come-dobbiamo-ricordare-tina-anselmi/</loc><lastmod>2025-03-04T19:03:27+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/04/hermes-riemerge-dallantichita-scoperta-eccezionale-in-turchia/</loc><lastmod>2025-03-04T17:22:03+01:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2025/03/04/nella-classica-strade-bianche-pogacar-tenta-il-tris/</loc><lastmod>2025-03-04T16:37:59+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2025/03/04/lintelligenze-artificiale-sempre-piu-centrale-nel-mondo-del-lavoro/</loc><lastmod>2025-03-04T16:31:32+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/04/camilleri-cento-tutti-gli-eventi-per-celebrare-il-maestro-della-narrativa/</loc><lastmod>2025-03-04T19:30:32+01:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2025/03/05/muore-bruno-pizzul-la-voce-delle-notti-magiche/</loc><lastmod>2025-03-05T10:10:55+01:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2025/03/05/il-potere-delle-macchine-sapienti-il-giornalismo-e-la-democrazia/</loc><lastmod>2025-03-06T12:22:49+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/05/bologna-inaugurato-il-murale-dedicato-a-lucio-dalla/</loc><lastmod>2025-03-05T16:47:02+01:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2025/03/05/io-sono-rabbia-il-primo-libro-per-bambini-per-accogliere-la-piu-odiata-delle-emozioni/</loc><lastmod>2025-03-05T17:02:07+01:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2025/03/05/un-nuovo-materiale-batterie-green-nasce-dai-rifiuti-delle-segherie/</loc><lastmod>2025-03-05T16:28:17+01:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2025/03/05/we-did-ok-kid-in-uscita-lautobiografia-di-anthony-hopkins/</loc><lastmod>2025-03-05T16:07:25+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/06/torna-a-torino-liquida-photofestival-dedicato-alla-fotografia-contemporanea/</loc><lastmod>2025-03-06T17:26:13+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/06/le-lettere-damore-di-johannes-vermeer-inaugurano-la-riapertura-della-frick-collection/</loc><lastmod>2025-03-06T14:43:34+01:00</lastmod></url><url><loc>https://culture.globalist.it/mondo/2025/03/06/la-realta-virtuale-e-ormai-decisiva-nellapprendimento-il-nuovo-centro-dellateneo-senese/</loc><lastmod>2025-03-06T17:21:38+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/06/luniversita-di-siena-celebra-la-giornata-internazionale-della-donna-con-eventi-dedicati/</loc><lastmod>2025-03-06T15:32:56+01:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2025/03/06/una-proposta-di-legge-per-rendere-definitivo-il-voto-ai-fuorisede/</loc><lastmod>2025-03-06T16:25:06+01:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2025/03/06/otto-marzo-rituale-sbiadito-o-occasione-per-discutere-dell-arcipelago-femminile/</loc><lastmod>2025-03-06T18:44:09+01:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2025/03/07/la-storia-vera-dell8-marzo/</loc><lastmod>2025-03-07T11:32:51+01:00</lastmod></url><url><loc>https://culture.globalist.it/atenei/2025/03/07/listruzione-rischia-grosso-le-scelte-governative-bloccano-il-libero-pensiero/</loc><lastmod>2025-03-07T12:01:40+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/07/caravaggio-torna-a-roma-24-opere-in-esposizione-a-palazzo-barberini/</loc><lastmod>2025-03-07T19:33:18+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2025/03/07/con-i-dazi-a-rischio-lagroalimentare-made-in-italy/</loc><lastmod>2025-03-07T19:01:47+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/07/griffiths-e-lespressionismo-astratto-in-mostra-a-firenze/</loc><lastmod>2025-03-07T19:11:18+01:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2025/03/07/libri-come-2025-nel-segno-della-pace/</loc><lastmod>2025-03-07T18:54:26+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/07/lintelligenza-artificiale-crea-la-voce-per-il-cinema/</loc><lastmod>2025-03-07T19:15:39+01:00</lastmod></url><url><loc>https://culture.globalist.it/ambiente-ed-economia/2025/03/07/copernicus-rivela-i-ghiacci-bollenti/</loc><lastmod>2026-09-13T06:14:14+02:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2025/03/08/in-italia-le-pari-opportunita-sono-insufficienti-per-meta-dei-cittadini/</loc><lastmod>2025-03-08T15:12:40+01:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2025/03/08/libri-liberi-liniziativa-che-porta-la-letteratura-nelle-carceri-italiane/</loc><lastmod>2025-03-19T13:07:48+01:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2025/03/08/strade-bianche-2025-demi-vullering-trionfa-nella-sfida-femminile-tra-leggende-olandesi/</loc><lastmod>2025-03-08T14:49:35+01:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2025/03/08/8-marzo-una-graphic-novel-per-rileggere-elena-gianini-belotti/</loc><lastmod>2025-03-08T14:55:43+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2025/03/08/mattarella-impegno-comune-per-la-parita-di-genere-contro-la-violenza-e-per-i-diritti-delle-donne-nel-mondo/</loc><lastmod>2025-03-08T14:54:10+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/08/gli-artisti-musicali-e-lalto-tasso-di-suicidi/</loc><lastmod>2025-03-08T16:35:55+01:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2025/03/08/otto-marzo-tra-speranze-e-manifestazioni-continua-la-lotta-delle-donne/</loc><lastmod>2025-03-08T16:32:34+01:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2025/03/08/il-tris-di-pogacar-che-trionfa-alle-strade-bianche-2025/</loc><lastmod>2025-03-08T17:07:52+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/09/pasolini-e-lamore-femminile-nascosto/</loc><lastmod>2025-03-09T18:23:38+01:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2025/03/09/la-pandemia-e-un-ricordo-ma-gli-scenziati-guardano-cosa-ne-resta/</loc><lastmod>2025-03-09T19:15:09+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/09/taranto-una-mostra-per-far-risplendere-il-mito-di-penelope/</loc><lastmod>2025-03-09T19:01:17+01:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2025/03/09/le-piante-hanno-resistito-al-periodo-piu-caldo-della-storia/</loc><lastmod>2025-03-09T18:10:13+01:00</lastmod></url><url><loc>https://culture.globalist.it/atenei/2025/03/10/walc-un-progetto-dedicato-a-un-atto-semplice-e-rivoluzionario-camminare/</loc><lastmod>2025-03-10T10:39:20+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/10/lassociazione-compositori-musica-per-film-mette-al-bando-lia/</loc><lastmod>2026-09-13T05:58:24+02:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2025/03/10/il-dg-rai-roberto-sergio-siamo-pronti-a-ripetere-sanremo-lanno-prossimo/</loc><lastmod>2025-03-10T10:49:36+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2025/03/10/gozzini-la-globalizzazione-non-puo-mai-essere-fermata-la-politica-la-puo-limitare/</loc><lastmod>2025-03-10T10:58:15+01:00</lastmod></url><url><loc>https://culture.globalist.it/mondo/2025/03/10/bologna-il-tecnopolo-diventa-dama-la-tecnologia-entra-nel-mondo-imprenditoriale/</loc><lastmod>2025-03-10T12:04:33+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/10/torino-un-nuovo-spazio-per-leonardo-un-percorso-multimediale-tra-le-opere-del-maestro/</loc><lastmod>2025-03-10T14:29:09+01:00</lastmod></url><url><loc>https://culture.globalist.it/atenei/2025/03/10/ieri-e-oggi-giovani-universitari-tra-ricordo-e-impegno/</loc><lastmod>2025-03-10T15:49:35+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2025/03/10/nucleare-il-dibattito-si-riaccende-tra-nuove-generazioni-e-ambientalisti-a-favore/</loc><lastmod>2025-03-10T16:19:41+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/10/la-casa-del-tiaso-di-pompei-e-i-suoi-misteriosi-gusci-di-ostrica/</loc><lastmod>2025-03-10T17:37:18+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/20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e-nuda-di-simona-mancini/</loc><lastmod>2025-03-27T19:17:30+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/27/il-mese-della-poesia-ilaria-crocchini-dalla-raccolta-di-metro-in-metro-passi-poetici-per-dieci-anni-di-lungo-corso-2/</loc><lastmod>2025-06-20T15:10:20+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/27/80-anni-di-pippi-calzelunghe-licona-ribelle-della-letteratura-per-ragazzi/</loc><lastmod>2025-03-27T15:30:40+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/27/il-taccuino-di-saint-exupery-con-i-disegni-de-il-piccolo-principe-allasta-a-parigi/</loc><lastmod>2025-03-27T15:34:48+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/27/bookcity-2025-potere-e-idee-il-tema-della-manifestazione/</loc><lastmod>2025-03-27T15:16:29+01:00</lastmod></url><url><loc>https://culture.globalist.it/mondo/2025/03/27/nasa-cancellato-dal-sito-il-programma-artemis/</loc><lastmod>2025-03-27T15:39:46+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2025/03/27/lacido-i-danni-di-un-uso-sbagliato-e-i-benefici-di-un-giusto-uso/</loc><lastmod>2025-03-29T09:03:31+01:00</lastmod></url><url><loc>https://culture.globalist.it/atenei/2025/03/28/dieci-canti-e-un-prologo-per-siena/</loc><lastmod>2025-03-28T17:17:36+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/28/la-voce-di-napoli-nei-cinema-con-il-ritorno-di-pino-daniele-firmato-da-francesco-lettieri/</loc><lastmod>2026-09-13T05:15:49+02:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2025/03/28/onucrisi-alimentare-senza-precedenti-nella-repubblica-democratica-del-congo/</loc><lastmod>2025-03-28T15:39:18+01:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2025/03/28/giornata-mondiale-dellendometriosi-quasi-due-milioni-di-donne-in-italia-ne-soffrono/</loc><lastmod>2025-03-28T15:13:45+01:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2025/03/28/le-diete-mediatiche-degli-italiani-nel-rapporto-censis-i-media-e-la-liberta/</loc><lastmod>2025-03-28T16:47:03+01:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2025/03/28/da-oggi-si-acquisisce-la-cittadinanza-solo-fino-ai-nonni-italiani/</loc><lastmod>2025-03-28T17:00:52+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/28/fantozzi-i-50-anni-della-geniale-e-comica-icona-senza-tempo/</loc><lastmod>2025-03-28T18:01:22+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/28/il-mese-della-poesia-preghiera-a-marilyn-di-giuseppe-grattacaso/</loc><lastmod>2025-06-20T15:13:05+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/29/la-vecchia-popolana-ritrovata-e-portata-al-martes/</loc><lastmod>2025-03-29T18:16:55+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/29/la-57-edizione-di-vinitaly-tra-novita-e-conferme/</loc><lastmod>2025-03-29T18:14:23+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/29/il-codex-florentinus-adesso-e-anche-digitale/</loc><lastmod>2025-03-29T18:22:58+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/29/la-nuova-stagione-della-scala-opera-sinfonia-e-balletto/</loc><lastmod>2025-03-29T18:17:42+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/29/il-mese-della-poesia-il-vetro-di-carlo-di-francescantonio/</loc><lastmod>2025-03-29T18:40:58+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/30/il-mese-della-poesia-di-mauro-sambi-dal-volume-cura/</loc><lastmod>2025-03-30T16:58:16+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/31/il-mese-della-poesia-di-simone-zafferani-poesia-sullinsegnante/</loc><lastmod>2025-03-31T14:30:23+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/31/il-mese-della-poesia-di-rossano-pestarino/</loc><lastmod>2025-03-31T14:32:12+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/30/il-mese-della-poesia-di-matteo-pelliti-alberi/</loc><lastmod>2025-03-30T16:58:51+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/30/il-mese-della-poesia-di-antonio-prete-in-campagna/</loc><lastmod>2025-03-30T16:57:24+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/31/il-mese-della-poesia-di-fiorenza-mormile-pianta-della-resurrezione-in-variazioni-sul-lausberg/</loc><lastmod>2025-03-31T14:34:40+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/03/29/al-di-la-di-artemisia-a-quante-artiste-la-nostra-civilta-ha-tarpato-le-ali/</loc><lastmod>2025-03-31T16:06:19+02:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2025/03/30/groenlandia-un-drone-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te-e-spettacolo/2025/05/11/inaugurata-la-porta-dei-parchi-un-nuovo-accesso-ai-tesori-naturali-della-basilicata/</loc><lastmod>2025-05-11T16:49:19+02:00</lastmod></url><url><loc>https://culture.globalist.it/mondo/2025/05/11/deepfake-e-truffe-con-lia-linganno-e-sempre-piu-reale/</loc><lastmod>2025-05-11T16:45:13+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/05/11/mangia-un-film-neorealista-che-si-basa-sul-tema-del-fallimento-e-rinascita/</loc><lastmod>2025-05-11T18:02:03+02:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2025/05/11/villa-lais-legge-2025-levento-ideale-per-innamorarsi-dei-libri/</loc><lastmod>2025-05-11T17:58:41+02:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2025/05/12/coppa-italia-milan-bologna-la-finale-dai-mille-volti-che-promette-spettacolo/</loc><lastmod>2025-05-12T09:51:21+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/05/12/siracusa-in-scena-ledipo-a-colono/</loc><lastmod>2025-05-12T13:39:23+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/05/12/litalia-al-festival-di-cannes/</loc><lastmod>2026-09-12T15:03:06+02:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2025/05/12/giornata-internazionale-delle-donne-in-matematica-litalia-celebra-un-momento-doro/</loc><lastmod>2025-05-12T19:08:01+02:00</lastmod></url><url><loc>https://culture.globalist.it/mondo/2025/05/13/verso-data-center-sostenibili-opportunita-o-rischio-per-litalia/</loc><lastmod>2025-05-13T01:18:13+02:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2025/05/12/intelligenza-artificiale-e-democrazia-rischi-poteri-e-sfide-per-una-governance-algoritmica-partecipata/</loc><lastmod>2026-09-12T15:02:39+02:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2025/05/13/venti-anni-per-sentirsi-a-casa-lodissea-di-pegah-moshir-pour-per-la-cittadinanza-italiana/</loc><lastmod>2025-05-13T16:06:12+02:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2025/05/13/lupin-parte-4-il-ladro-gentiluomo-torna-sugli-schermi/</loc><lastmod>2025-05-13T15:58:42+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/05/13/al-via-leurovision-song-contest-2025/</loc><lastmod>2025-05-13T15:57:00+02:00</lastmod></url><url><loc>https://culture.globalist.it/atenei/2025/05/13/la-pipa-di-aristotele-gli-antichisti-alla-prova-del-giallo/</loc><lastmod>2025-05-13T16:13:47+02:00</lastmod></url><url><loc>https://culture.globalist.it/atenei/2025/05/13/a-siena-un-convegno-di-due-giorni-per-discutere-sul-giallo-nellantichita/</loc><lastmod>2025-05-13T16:25:37+02:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2025/05/13/alice-dercole-con-il-voto-ai-referendum-non-si-delega-nessuno-a-cambiare-le-norme/</loc><lastmod>2025-05-13T17:31:17+02:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2025/05/13/giro-manca-il-cannibale-e-gli-amanti-del-ciclismo-tornano-allutopia-di-non-sapere-chi-vincera/</loc><lastmod>2025-05-13T17:47:45+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/05/13/pubblicati-i-dati-del-mic-sui-musei-piu-visitati-e-i-numeri-di-ingressi-e-guadagni-per-il-2024/</loc><lastmod>2025-05-13T17:55:39+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/05/14/cannes-2025-de-niro-si-scaglia-contro-trump/</loc><lastmod>2025-05-14T15:49:19+02:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2025/05/14/salone-internazionale-del-libro-di-torino-2025-al-via-levento-culturale-piu-atteso-in-italia/</loc><lastmod>2025-05-14T12:23:11+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/05/14/addio-al-regista-e-sceneggiatore-robert-benton/</loc><lastmod>2025-05-14T15:40:55+02:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2025/05/14/fischiava-il-vento-il-grande-sogno-disilluso-di-cui-far-tesoro/</loc><lastmod>2025-05-15T12:41:19+02:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2025/05/14/andrea-segre-nel-cinema-da-due-anni-tanti-non-arrivano-a-fine-mese-giuli-risponda-allappello-di-artisti-e-tecnici/</loc><lastmod>2025-05-19T16:08:13+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/05/15/che-sara-sara-e-il-cinema-canta-nel-cuore-della-storia/</loc><lastmod>2025-07-07T16:55:48+02:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2025/05/15/il-bologna-fa-la-storia-e-sua-la-coppa-italia-milan-battuto-1-0/</loc><lastmod>2025-05-15T00:06:50+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/05/15/il-cinema-e-in-crisi-e-trump-rincara-la-dose/</loc><lastmod>2025-05-15T14:52:06+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2025/05/15/il-libro-perduto-di-profondo-rosso-un-omaggio-ai-50-anni-del-capolavoro-di-dario-argento/</loc>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