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ettacolo/2023/02/07/mr-rain-in-gara-al-suo-primo-festival-di-sanremo-2023/</loc><lastmod>2023-02-07T21:26:27+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/07/tra-gli-ospiti-della-prima-serata-elena-sofia-ricci/</loc><lastmod>2023-02-07T21:27:21+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/07/marco-mengoni-terza-volta-al-festival-di-sanremo-2023/</loc><lastmod>2023-02-07T21:27:48+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/07/ariete-esordio-sul-palco-del-festival-di-sanremo-2023/</loc><lastmod>2023-02-07T21:28:12+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/07/mara-sattei-da-amici-allariston-con-duemilaminuti/</loc><lastmod>2023-02-07T21:28:39+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/07/olly-il-rapper-genovese-in-gara-a-sanremo/</loc><lastmod>2023-02-07T21:29:09+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/07/chi-e-ultimo-il-cantautore-in-gara-a-sanremo/</loc><lastmod>2023-02-07T21:30:35+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/07/i-cugini-di-campagna-dopo-cinquantanni-insieme-in-gara-a-sanremo/</loc><lastmod>2023-02-07T21:31:08+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/07/coma_cose-allariston-con-il-brano-laddio/</loc><lastmod>2023-02-07T21:39:52+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/07/elodie-due-un-brano-ritmato-con-un-messaggio-chiaro/</loc><lastmod>2023-02-07T21:48:42+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/07/leo-gassman-in-gara-al-festival-di-sanremo-2023-con-il-brano-terzo-cuore/</loc><lastmod>2023-02-07T22:00:45+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/07/gianluca-grignani-al-festival-di-sanremo-2023-con-il-brano-quando-ti-manca-il-fiato/</loc><lastmod>2023-02-07T22:04:42+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/07/colla-zio-esordio-a-sanremo-2023/</loc><lastmod>2023-02-07T22:05:33+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/07/mahmood-dopo-la-vittoria-nel-2022-torna-come-ospite-al-festival/</loc><lastmod>2023-02-07T21:54:14+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/07/blanco-dopo-la-vittoria-nel-2023-torna-ospite-al-festival-di-sanremo/</loc><lastmod>2023-02-07T22:06:52+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/07/inno-di-mameli-cantato-da-gianni-morandi-e-da-mattarella-per-sanremo-e-il-migliore-avvio/</loc><lastmod>2023-02-07T22:32:37+01:00</lastmod></url><url><loc>https://culture.globalist.it/senza-categoria/2023/02/07/benigni-esalta-la-costituzione-parla-dellarticolo-21-e-ricorda-le-infamie-del-fascismo/</loc><lastmod>2023-02-07T22:13:37+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/07/il-canto-di-benigni-sulla-costituzione/</loc><lastmod>2023-02-07T22:31:29+01:00</lastmod></url><url><loc>https://culture.globalist.it/senza-categoria/2023/02/07/il-terremoto-in-siria-e-turchia-e-lo-sciocco-baccano-su-zelensky-a-sanremo/</loc><lastmod>2023-02-08T11:39:13+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/07/sanremo-2023-benigni-parla-di-costituzione-ed-e-subito-polemica-sui-social/</loc><lastmod>2023-02-07T23:13:26+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/08/le-pagelle-standing-ovation-per-mengoni-mentre-anna-oxa-non-incanta/</loc><lastmod>2023-02-08T01:35:56+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/08/il-grande-ritorno-dei-pooh/</loc><lastmod>2023-02-08T00:32:49+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/08/follia-blanco-distrugge-mezzo-palco-e-il-pubblico-inveisce-contro-di-lui/</loc><lastmod>2023-02-08T00:47:19+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/08/sanremo-la-presidente-dellassociazione-d-i-re-e-chiara-ferragni-impegnate-nella-lotta-alla-violenza-sulle-donne/</loc><lastmod>2023-02-08T01:55:37+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/08/prima-serata-la-classifica-provvisoria-della-sala-stampa/</loc><lastmod>2023-02-08T02:27:07+01:00</lastmod></url><url><loc>https://culture.globalist.it/senza-categoria/2023/02/08/sanremo-salvini-avverte-paola-egonu-spero-non-faccia-una-tirata-sullitalia-razzista/</loc><lastmod>2023-02-08T10:16:31+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/08/sanremo-boom-di-ascolti-amadeus-ottiene-il-risultato-piu-alto-dal-1995-con-il-624-di-share/</loc><lastmod>2023-02-09T17:29:17+01:00</lastmod></u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lassifica-seguito-da-marco-mengoni-e-i-cugini-di-campagna/</loc><lastmod>2023-02-14T12:16:19+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/11/la-serata-della-finalissima-apre-con-un-omaggio-a-dalla/</loc><lastmod>2023-02-11T21:13:30+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/11/la-gara-impone-ritmi-da-corsa-e-le-canzoni-cominciano-a-entrare-nelle-orecchie-dei-telespettatori/</loc><lastmod>2023-02-11T21:55:32+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/11/i-depeche-mode-entusiasmano-ritornando-a-sanremo-dopo-33-anni/</loc><lastmod>2023-02-14T12:19:30+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/11/il-festival-ammaliato-dal-sapore-di-paoli/</loc><lastmod>2023-02-14T12:11:11+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/11/mengoni-superstar-e-lo-scandalo-del-bacio-di-rosa-chemical/</loc><lastmod>2023-02-11T23:34:40+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/12/pillon-polemico-con-sanremo-e-arriva-a-mettere-in-discussione-lindice-di-ascolto/</loc><lastmod>2023-02-14T12:14:11+01:00</lastmod></url><url><loc>https://culture.globalist.it/senza-categoria/2023/02/12/sanremo-il-ritorno-di-ornalla-vanoni-tra-ironia-risate-e-carciofi/</loc><lastmod>2023-02-14T12:10:42+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/12/i-coma_cose-tornano-insieme-come-gli-articolo-31/</loc><lastmod>2023-02-12T01:18:21+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/12/la-mistica-anna-oxa-e-il-problematico-grignani/</loc><lastmod>2023-02-12T01:58:55+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/12/una-top-5-con-sorprese-molti-giovani-e-fuori-i-nomi-noti/</loc><lastmod>2023-02-12T02:10:43+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/12/mengoni-trionfa-a-sanremo-2023/</loc><lastmod>2023-02-12T02:55:36+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/12/sanremo-la-lettera-del-presidente-zelensky/</loc><lastmod>2023-02-14T12:00:54+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/12/sanremo-66-di-share-per-la-serata-finale-in-attesa-della-scure-censoria-reazionaria/</loc><lastmod>2023-02-12T12:07:05+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/02/12/berlusconi-allassalto-di-sanremo-evento-dai-connotati-idelogici/</loc><lastmod>2023-02-12T12:06:16+01:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2023/02/12/quando-hannah-arendt-fuggita-dal-nazismo-scrisse-il-saggio-noi-rifugiati/</loc><lastmod>2023-02-14T13:56:24+01:00</lastmod></url><url><loc>https://culture.globalist.it/atenei/2023/02/13/world-anthropology-day-2023/</loc><lastmod>2023-02-13T12:53:04+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/02/13/governo-meloni-e-anarchici-uniti-dalla-voglia-di-repressione-due-meta-che-si-cercano-come-nel-mito-di-platone/</loc><lastmod>2023-03-04T00:41:38+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/13/un-francobollo-e-una-mostra-in-occasione-dei-cento-anni-dalla-nascita-di-zeffirelli/</loc><lastmod>2023-02-13T16:48:42+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/13/tre-date-italiane-per-i-jethro-tull-allinsegna-del-tutto-esaurito/</loc><lastmod>2023-02-13T12:46:46+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/13/scomparso-il-regista-e-artista-spagnolo-carlos-saura/</loc><lastmod>2023-02-13T17:48:34+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/02/14/berlusconi-e-vauro-nel-nome-di-putin-si-scoprono-strane-e-antiche-assonanze/</loc><lastmod>2023-02-14T15:03:17+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/02/14/cosa-accomuna-socrate-al-king-cobra-andrew-tate/</loc><lastmod>2023-02-14T17:30:51+01:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2023/02/14/cera-una-volta-il-libro-la-dodicesima-edizione-della-mostra-mercato-di-cesena/</loc><lastmod>2023-02-15T16:07:34+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/14/nato-due-volte-il-premio-oscar-dante-ferretti-si-mette-a-nudo-in-unautobiografia/</loc><lastmod>2023-02-14T17:12:32+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/14/con-paura-annalisa-aglioti-passa-da-zelig-al-teatro/</loc><lastmod>2023-02-14T17:11:58+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/14/in-uscita-da-domani-mi-alzo-tardi-il-nuovo-film-su-massimo-troisi/</loc><lastmod>2023-02-15T16:07:12+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/15/nozze-doro-per-il-teatro-dellelfo-di-milano/</loc><lastmod>2023-02-15T20:44:14+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/15/annunciati-i-finalisti-dei-nastri-dargento/</loc><lastmod>2023-02-15T20:44:41+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/15/addio-a-raquel-welch-icona-di-hollywood/</loc><lastmod>2023-02-19T20:04:17+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/16/lantica-tradizione-fiorentina-dei-bandierai-in-mostra-a-palazzo-vecchio/</loc><lastmod>2023-02-16T15:51:09+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/02/16/lanarchia-e-tornata-in-prima-pagina/</loc><lastmod>2023-02-16T17:19:02+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/16/addio-ad-alberto-radius-il-chitarrista-e-morto-a-80-anni-la-commozione-di-gianluca-grignani/</loc><lastmod>2023-02-16T15:53:35+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/16/colapesce-e-dimartino-al-cinema-con-un-bizzarro-road-movie-sullamicizia/</loc><lastmod>2023-02-16T18:32:12+01:00</lastmod></url><url><loc>https://culture.globalist.it/senza-categoria/2023/02/17/giovanni-allevi-e-la-lotta-contro-il-mieloma-ho-le-ossa-fratturate-mi-chiedo-cosa-significhi-combattere/</loc><lastmod>2023-02-17T13:55:22+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/17/si-e-spento-maurizio-scaparro-maestro-della-regia-moderna/</loc><lastmod>2023-02-17T14:00:51+01:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2023/02/17/riparte-sapiens-un-solo-pianeta-in-prima-serata-su-rai3/</loc><lastmod>2023-02-17T16:20:14+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/17/teatro-firenze-e-parigi-collaborano-con-lattore-europeo/</loc><lastmod>2023-02-17T15:55:22+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/17/berlinale-2023-litalia-in-concorso-con-disco-boy-un-film-di-giacomo-abbruzzese/</loc><lastmod>2023-02-17T16:20:44+01:00</lastmod></url><url><loc>https://culture.globalist.it/atenei/2023/02/18/millumino-di-meno-alluniversita-di-siena-si-parla-di-sostenibilita-e-comunita-energetiche/</loc><lastmod>2023-02-18T19:06:54+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/02/18/poteri-occulti-tre-inchieste-di-stefania-limiti-che-gettano-luce-sui-lati-oscuri-ditalia/</loc><lastmod>2023-02-19T19:38:10+01:00</lastmod></url><url><loc>https://culture.globalist.it/atenei/2023/02/18/laurea-honoris-causa-per-massimo-troisi/</loc><lastmod>2023-02-19T18:01:12+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/18/a-perugia-riapre-il-museo-del-capitolo/</loc><lastmod>2023-02-18T13:27:37+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/02/18/renato-zero-su-rosa-chemical-il-problema-e-chi-lo-ha-mandato-in-onda/</loc><lastmod>2023-02-19T12:49:20+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/19/teatro-trianon-viviani-marisa-laurito-confermata-alla-direzione-artistica/</loc><lastmod>2023-02-19T18:02:25+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2024/06/04/frank-matano-quel-genio-insuperabile-di-troisi/</loc><lastmod>2024-06-04T09:14:08+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/19/addio-al-pittore-adelchi-mantovani/</loc><lastmod>2023-02-19T21:28:53+01:00</lastmod></url><url><loc>https://culture.globalist.it/atenei/2023/02/20/a-pavia-unedizione-speciale-del-ciclo-dincontri-parole-al-centro/</loc><lastmod>2023-02-20T16:13:06+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/20/dalla-pellicola-al-palcoscenico-tutti-gli-adattamenti-dei-classici-del-cinema-contemporaneo/</loc><lastmod>2023-02-20T16:12:24+01:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2023/02/20/mauthausen-persone-e-non-solo-numeri-storia-del-campo-di-concentramento-nazista/</loc><lastmod>2023-02-21T15:35:19+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/20/addio-a-akira-leiji-matsumoto-il-creatore-di-capitan-harlock/</loc><lastmod>2023-02-20T16:56:52+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/02/20/vera-politkovskaja-nella-russia-di-putin-il-giornalismo-libero-non-esiste-piu/</loc><lastmod>2023-02-20T18:03:05+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/20/invisibile-di-franco-fontana-lautentica-confessione-creatrice-di-un-progressista-legislatore-iconografico/</loc><lastmod>2023-02-21T15:34:30+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/02/21/le-ville-vesuviane-del-700-valorizzate-e-aperte-ai-giovani/</loc><lastmod>2023-02-21T15:20:48+01:00</lastmod></url><url><loc>https://cul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lista-la-storia-del-partigiano-massimo-rendina/</loc><lastmod>2025-04-16T16:06:26+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/04/22/il-concerto-di-roger-waters-in-diretta-da-praga/</loc><lastmod>2023-04-22T16:09:08+02:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/04/22/le-tante-e-diverse-storie-dei-romanzi-sulla-resistenza/</loc><lastmod>2023-04-22T16:41:10+02:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/04/22/gianna-radiconcini-da-staffetta-partigiana-a-prima-donna-corrispondente-dallestero-della-rai/</loc><lastmod>2025-04-16T15:49:27+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/04/22/festival-del-libro-oltre-50-gli-autori-italiani-presenti/</loc><lastmod>2023-04-22T19:28:07+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/04/23/a-parma-torna-liberavoce-libri-spettacoli-seminari-e-lanteprima-del-documentario-su-umberto-eco/</loc><lastmod>2023-04-23T17:02:42+02:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/04/23/giovanni-frignani-vittima-delle-fosse-ardeatine/</loc><lastmod>2023-04-23T17:11:32+02:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2023/04/23/le-pagine-della-terra-un-premio-letterario-per-lambiente-in-occasione-della-giornata-mondiale-della-terra/</loc><lastmod>2023-04-23T19:38:51+02:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/04/23/orlando-orlandi-posti-il-giovane-antifascista-fucilato-alle-fosse-ardeatine/</loc><lastmod>2023-04-23T17:27:27+02:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/04/23/una-vita-in-prima-linea-la-storia-di-aldo-eluisi-ucciso-alle-fosse-ardeatine/</loc><lastmod>2023-04-23T17:48:55+02:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/04/24/romualdo-chiesa-politico-e-partigiano-martire-di-via-tasso/</loc><lastmod>2023-04-24T11:13:01+02:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/04/24/sabato-martelli-castaldi-lironico-e-coraggioso-partigiano-martire-di-via-tasso/</loc><lastmod>2023-04-24T11:13:26+02:00</lastmod></url><url><loc>https://culture.globalist.it/atenei/2023/04/24/a-palermo-un-ciclo-di-seminari-per-conoscere-e-imparare-a-contrastare-la-mafia/</loc><lastmod>2023-04-24T10:38:44+02:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/04/24/don-pappagallo-lunico-sacerdote-antifascista-ucciso-alle-fosse-ardeatine/</loc><lastmod>2023-04-24T11:41:00+02:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2023/04/24/lascesa-di-mussolini-in-un-documentario-a-colori/</loc><lastmod>2023-04-24T17:24:56+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/04/24/ingresso-gratuito-nei-musei-e-nei-parchi-archeologici-statali-in-occasione-del-25-aprile/</loc><lastmod>2023-04-24T16:19:10+02:00</lastmod></url><url><loc>https://culture.globalist.it/senza-categoria/2023/04/24/storie-di-musica-al-cinema-un-libro-sul-binomio-tra-due-arti-suggestive/</loc><lastmod>2023-04-24T15:15:28+02:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/04/24/valdarno-il-racconto-corale-di-una-comunita-che-ha-vissuto-le-barbarie-dei-nazifascisti/</loc><lastmod>2023-04-24T15:42:35+02:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/04/24/nella-carta-costituzionale-una-risposta-ai-problemi-doggi/</loc><lastmod>2023-04-24T16:09:01+02:00</lastmod></url><url><loc>https://culture.globalist.it/senza-categoria/2023/04/24/nunziatina-la-storia-della-partigiana-sopravvissuta-alla-fucilazione-fascista-diventa-piece-teatrale/</loc><lastmod>2023-04-24T16:13:56+02:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/04/25/maddalena-cerasuolo-la-partigiana-simbolo-delle-quattro-giornate-di-napoli/</loc><lastmod>2025-04-16T15:44:30+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/04/25/una-miniserie-racconta-miep-gies-lanticonformista-che-provo-a-salvare-anna-frank/</loc><lastmod>2023-04-25T11:14:41+02:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2023/04/25/le-programmazione-per-lanniversario-della-liberazione/</loc><lastmod>2023-04-25T12:10:03+02:00</lastmod></url><url><loc>https://culture.globalist.it/senza-categoria/2023/04/25/25-aprile-mattarella-la-costituzione-e-nata-dove-sono-caduti-i-partigiani/</loc><lastmod>2023-04-25T14:20:55+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/04/25/addio-a-harry-belafonte-mito-della-musica-e-paladino-dei-diritti-civili/</loc><lastmod>2023-04-25T19:16:22+02:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2023/04/25/25-aprile-il-tg2-revisionista-applica-la-dottrina-la-russa-e-divide-la-resistenza-tra-buoni-e-cattivi/</loc><lastmod>2024-04-24T02:32:35+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/04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ettacolo/2023/05/29/concerto-per-la-romagna-ecco-i-cantanti-che-si-esibiranno/</loc><lastmod>2023-05-29T11:16:26+02:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2023/09/15/fausto-coppi-il-mito-che-non-tramonta/</loc><lastmod>2023-09-15T02:11:34+02:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2023/05/28/la-sirenetta-nuota-in-sardegna/</loc><lastmod>2023-05-29T11:30:13+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/05/29/franca-rame-un-convegno-internazionale-in-sua-memoria/</loc><lastmod>2023-05-29T15:58:40+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/05/30/ritorna-il-rino-gaetano-day-per-lanniversario-della-scomparsa-dellartista/</loc><lastmod>2023-05-30T16:42:53+02:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2023/05/30/da-bibliotecari-a-rider-ad-orvieto-i-libri-bussano-alla-porta/</loc><lastmod>2023-05-30T16:51:48+02:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2023/05/30/musk-sceglie-yaccarino-detta-martello-di-velluto/</loc><lastmod>2023-06-12T16:06:55+02:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2023/05/30/se-anche-il-nyt-deve-chiedere-scusa-per-le-fake-news/</loc><lastmod>2023-05-30T16:30:29+02:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2023/05/30/le-nostre-abitudini-modificano-luso-dei-telefonini-e-dei-tablet-e-viceversa/</loc><lastmod>2023-05-30T16:35:16+02:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2023/05/31/la-fabbrica-del-mondo-la-seconda-edizione-itinerante-da-montegrotto-terme/</loc><lastmod>2023-06-06T16:02:19+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/05/31/jacopo-robusti-detto-il-tintoretto-la-vita-di-un-pittore-ribelle-e-talentuoso/</loc><lastmod>2023-05-31T15:37:36+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/05/31/i-pupi-siciliani-per-reinterpretare-i-celebri-quadri-di-unesposizione-di-musorgskij/</loc><lastmod>2023-05-31T17:40:26+02:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2023/06/01/riapre-il-centro-culturale-delle-donne-mara-meoni/</loc><lastmod>2023-06-01T11:09:59+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/06/01/24-bronzi-di-san-casciano-in-finale-allarchaeological-award/</loc><lastmod>2023-06-01T15:55:33+02:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2023/06/01/giuseppe-patota-vince-il-premio-mondello-critica-2023/</loc><lastmod>2023-06-01T17:15:47+02:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/06/01/lideologia-nazista-della-razza/</loc><lastmod>2023-06-01T17:32:57+02:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2023/08/05/sul-mito-di-marilyn-monroe-il-sole-non-tramonta-mai/</loc><lastmod>2023-08-05T13:13:40+02:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2023/06/01/le-energie-rinnovabili-aumentano-grazie-al-boom-del-solare/</loc><lastmod>2023-06-01T21:26:15+02:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/06/01/migranti-la-storia-di-abia-imran-hassan-possono-raccontarla-grazie-alla-ong-che-li-ha-salvati/</loc><lastmod>2023-06-12T12:44:03+02:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2023/06/02/non-tutti-dovremmo-festeggiare-il-2-giugno/</loc><lastmod>2023-06-02T14:05:02+02:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2023/06/02/2-giugno-mattarella-ci-guidano-liberta-uguaglianza-e-solidarieta/</loc><lastmod>2023-06-02T10:27:43+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/06/02/mostra-alle-scuderie-del-quirinale-180-anni-di-storia/</loc><lastmod>2023-06-02T12:50:37+02:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2023/06/02/santantioco-una-nuova-campagna-di-scavi-nel-piu-antico-insediamento-fenicio/</loc><lastmod>2023-06-02T12:22:01+02:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2023/06/06/la-questione-delle-etichette-sleeve-e-lambientalismo-delle-piccole-cose/</loc><lastmod>2023-06-12T13:10:09+02:00</lastmod></url><url><loc>https://culture.globalist.it/atenei/2023/06/03/iv-conferenza-sul-futuro-delleuropa-gli-studenti-come-protagonisti-del-futuro/</loc><lastmod>2023-06-03T11:51:28+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/06/03/a-siracusa-in-scena-una-commedia-di-aristofane/</loc><lastmod>2023-06-03T15:49:23+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/06/04/festival-toscanini-al-via-la-seconda-edizione/</loc><lastmod>2023-06-04T12:38:59+02:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2023/06/04/lavversario-tardelli-ci-porta-nelle-vite-di-sei-campioni-dello-sport/</loc><lastmod>2023-06-04T18:28:17+02:00</lastmod></url><url><lo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ele-contu/</loc><lastmod>2023-11-19T17:34:11+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2022/11/20/contributors/</loc><lastmod>2026-09-12T01:40:35+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/11/21/ritorna-a-splendere-lopera-di-canova-a-forli/</loc><lastmod>2023-11-21T11:28:56+01:00</lastmod></url><url><loc>https://culture.globalist.it/atenei/2023/11/21/per-il-centenario-della-nascita-luniversita-di-torino-celebra-maria-callas/</loc><lastmod>2023-11-21T15:09:20+01:00</lastmod></url><url><loc>https://culture.globalist.it/atenei/2023/11/20/gli-eventi-unisi-contro-la-violenza-sulle-donne-domani-il-presidio-in-ricordo-di-giulia-cecchettin/</loc><lastmod>2023-11-20T18:18:46+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/11/20/la-storia-di-giulia-cecchettin-scuote-le-coscienze/</loc><lastmod>2023-11-20T18:44:40+01:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2023/11/21/gli-anni-80-di-gaber-in-un-libro-anzi-due/</loc><lastmod>2023-11-21T10:20:46+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/11/21/lo-studioso-vicino-a-bergoglio-dipingere-milei-come-il-male-assoluto-non-aiutera-la-ricostruzione/</loc><lastmod>2023-11-22T11:22:20+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/11/21/la-cappella-sistina-in-giro-per-il-mondo-attraverso-una-mostra-multimediale/</loc><lastmod>2023-11-21T15:44:34+01:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2023/11/21/cresce-linteresse-per-i-finanziamenti-alla-lettura/</loc><lastmod>2023-11-21T15:50:18+01:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2023/11/21/giovane-ebreo-fa-causa-a-musk-ha-alimentato-false-teorie/</loc><lastmod>2023-11-22T11:03:10+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/11/21/villa-adriana-e-villa-deste-record-di-visitatori-gia-superata-quota-700-mila/</loc><lastmod>2023-12-07T21:19:15+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/11/22/la-parentesi-piu-buia-della-storia-umana-il-genocidio/</loc><lastmod>2023-11-22T13:26:28+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/11/21/restaurata-laontana-dellovato-a-villa-deste/</loc><lastmod>2023-12-07T21:18:23+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/11/22/sono-stato-al-presidio-per-giulia-cecchettin-cerano-quasi-solo-donne/</loc><lastmod>2023-11-22T14:59:19+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/11/22/associazione-abc-social-inclusion-un-faro-di-speranza-nellaretino/</loc><lastmod>2023-11-25T10:52:01+01:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2023/11/22/centocelle-i-racconti-di-un-quartiere-che-resiste/</loc><lastmod>2023-11-22T16:35:44+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/11/23/al-museo-della-permanente-arriva-via-crucis-la-mostra-postuma-di-botero/</loc><lastmod>2023-11-23T14:58:59+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/11/23/dalla-solidarieta-al-conflitto-la-complessa-evoluzione-dellopinione-pubblica-iraniana/</loc><lastmod>2023-11-23T14:49:49+01:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2023/11/23/melissa-barrera-licenziata-da-scream-per-antisemitismo-la-replica-sostengo-solo-la-palestina/</loc><lastmod>2023-11-23T14:32:07+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/11/23/riaprono-le-gallerie-europee-del-metropolitan-museum/</loc><lastmod>2023-11-23T17:18:36+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/11/24/lo-ius-scholae-una-proposta-concreta-per-linclusione/</loc><lastmod>2023-12-07T21:16:15+01:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2023/11/25/arriva-sul-grande-schermotecnicamente-dolce-capolavoro-postumo-di-antonioni/</loc><lastmod>2023-11-25T18:39:03+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/11/25/il-docufilm-su-umberto-eco-in-corsa-per-gli-oscar/</loc><lastmod>2023-11-25T18:48:34+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/11/26/greg-williams-svela-il-nuovo-film-di-paolo-sorrentino/</loc><lastmod>2023-11-26T18:23:34+01:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2023/11/26/viaggio-in-sicilia-un-inno-alla-cultura-tra-citta-antiche-e-paesaggi-incontaminati/</loc><lastmod>2023-11-28T16:41:29+01:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2023/11/28/un-successo-sui-mercati-esteri-per-la-piccola-e-media-editoria-italiana/</loc><lastmod>2023-11-28T15:41:51+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/11/29/numerosi-eventi-per-150-anniversario-della-nascita-di-galileo-chini/</loc><lastmod>2023-11-29T11:54: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valore-della-costituzione-la-polizia-non-sara-mai-lovra-fascista/</loc><lastmod>2023-12-11T10:03:25+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/12/08/chi-si-affida-alla-madonna-legga-e-ascolti-prima-il-magnificat/</loc><lastmod>2023-12-08T19:04:37+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/12/08/contesa-la-copertina-originale-di-asterix-e-cleopatra/</loc><lastmod>2023-12-08T17:48:09+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/12/08/oltre-tutte-le-convenzioni-perche-ricordare-listrionico-frank-zappa/</loc><lastmod>2023-12-08T19:01:16+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/12/07/lannunciazione-quando-la-bellezza-non-e-un-effetto-cinematografico-ma-il-frutto-di-un-cammino/</loc><lastmod>2023-12-08T19:07:27+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/12/04/le-parole-del-papa-perche-la-pace-non-va-di-moda/</loc><lastmod>2023-12-08T19:10:41+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/12/09/x-factor-la-vincitrice-sarafine-ho-affrontato-le-mie-paure/</loc><lastmod>2023-12-09T16:46:58+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/12/09/a-75-anni-dalla-dichiarazione-universale-diritti-umani-e-cambiamento-climatico/</loc><lastmod>2023-12-10T17:59:12+01:00</lastmod></url><url><loc>https://culture.globalist.it/senza-categoria/2023/12/09/la-malattia-come-sfida-e-opportunita/</loc><lastmod>2023-12-12T15:26:52+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/12/10/amarcord-compie-50-anni-il-cinema-fulgor-di-rimini-celebra-fellini/</loc><lastmod>2023-12-10T20:09:48+01:00</lastmod></url><url><loc>https://culture.globalist.it/senza-categoria/2023/12/09/addio-a-ryan-oneal-interpreto-love-story-e-barry-lyndon/</loc><lastmod>2023-12-09T21:52:53+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/12/11/riemerso-a-pompei-un-panificio-prigione/</loc><lastmod>2023-12-11T16:33:51+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/12/12/the-general-il-nuovo-singolo-dei-guns-n-roses/</loc><lastmod>2023-12-12T16:55:13+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/12/12/scoperta-una-domus-tardo-repubblicana-nel-parco-archeologico-del-colosseo/</loc><lastmod>2023-12-12T15:03:03+01:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2023/12/12/laboratorio-di-giornalismo-2023/</loc><lastmod>2024-01-17T17:35:48+01:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2023/12/12/i-giovani-di-gaza-continueranno-a-difendere-il-loro-futuro/</loc><lastmod>2023-12-12T20:50:48+01:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2023/12/12/stazione-lollobrigida/</loc><lastmod>2023-12-13T00:58:14+01:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2023/12/12/una-piccola-scintilla-di-speranza-illumina-il-medio-oriente/</loc><lastmod>2023-12-13T00:58:03+01:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2023/12/12/gli-scivoloni-del-cognato-ditalia/</loc><lastmod>2023-12-13T00:57:45+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/12/13/scontro-culturale-il-ricco-patrimonio-iraniano-schiacciato-dal-rimodellamento-islamico/</loc><lastmod>2023-12-13T17:38:52+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/12/13/iran-senza-fiato-i-costi-celati-dellinettitudine-governativa/</loc><lastmod>2023-12-13T18:17:33+01:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2023/12/13/sojourner-truth-la-lotta-di-una-maestra-ignorante-per-i-diritti-civili/</loc><lastmod>2023-12-14T00:32:05+01:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2023/12/13/un-parroco-contro-ficarra-e-picone-il-loro-ultimo-film-e-blasfemo/</loc><lastmod>2023-12-13T18:26:10+01:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2023/12/13/lollobrigida-se-un-ministro-si-trasforma-in-capotreno/</loc><lastmod>2023-12-13T18:37:10+01:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2023/12/13/rilasciati-gli-ostaggi-un-altro-giorno-di-commozione-a-gaza/</loc><lastmod>2023-12-13T19:35:01+01:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2023/12/14/il-dolore-della-guerra-jabalya-sotto-attacco/</loc><lastmod>2023-12-14T12:45:46+01:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2023/12/14/il-ministro-lollobrigida-dovra-tornare-a-scuola/</loc><lastmod>2023-12-14T12:43:00+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/12/14/nuove-sale-di-palazzo-medici-riccardi-aprono-al-pubblico/</loc><lastmod>2023-12-14T16:05:18+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/12/14/patriarcato-perche-parlarne-con-consapevolezza/</loc><lastmod>2023-12-18T15:40:01+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/12/14/patti-smith-divide-lopinione-pubblica-con-il-suo-concerto-nel-duomo-di-siena/</loc><lastmod>2023-12-14T15:24:00+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/12/16/nuove-mostre-al-maxxi-dove-la-creativita-contemporanea-si-rinnova/</loc><lastmod>2023-12-18T12:03:52+01:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2023/12/15/fiorello-ironizza-sulla-rai-meloniana-ci-cacceranno-e-al-nostro-posto-ci-sara-viva-rai-dux/</loc><lastmod>2023-12-18T12:13:39+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/12/16/brani-inediti-e-rivisitazioni-di-piero-ciampi-la-scoperta-di-enrico-de-angelis/</loc><lastmod>2023-12-16T17:03:18+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/12/16/esposte-le-opere-a-fumetti-di-fecchi-e-i-manifesti-cinematografici-da-valcarenghi/</loc><lastmod>2023-12-16T17:26:45+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/12/17/addio-al-regista-georgiano-otar-ioseliani-le-sue-opere-furono-piu-forti-della-censura-sovietica/</loc><lastmod>2023-12-18T12:03:28+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/12/18/le-donne-gli-uomini-la-violenza/</loc><lastmod>2023-12-18T12:12:46+01:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2023/12/18/eppure-yocheved-predica-pace/</loc><lastmod>2023-12-18T15:46:30+01:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2023/12/18/il-ministro-lollobrigida-e-i-capitreno-stranieri/</loc><lastmod>2023-12-18T15:47:03+01:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2023/12/18/la-carne-dei-poveri-di-lollobrigida/</loc><lastmod>2023-12-18T17:42:24+01:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2023/12/18/musk-sotto-indagine-della-ue-la-piattaforma-x-piena-di-disinformazione-e-contenuti-illegali/</loc><lastmod>2023-12-18T17:28:06+01:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2023/12/18/quando-salubrita-e-sostenibilita-ambientale-vengono-venduti-a-caro-costo/</loc><lastmod>2023-12-18T17:27:15+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/12/20/ce-posta-per-te-compie-25-anni-lamore-attraverso-uno-schermo-che-anticipo-i-social/</loc><lastmod>2023-12-20T11:54:45+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/12/20/a-ferrara-la-prima-edizione-del-festival-della-poesia-dedicato-a-roberto-pazzi/</loc><lastmod>2023-12-20T12:01:20+01:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2023/12/20/battaglia-legale-per-il-signore-degli-anelli-sequel-non-autorizzato/</loc><lastmod>2023-12-20T12:06:01+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/12/20/questi-indistruttibili-cruciverba/</loc><lastmod>2023-12-20T12:48:12+01:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2023/12/20/cesare-cremonini-da-50-special-al-concerto-di-san-siro/</loc><lastmod>2023-12-20T18:13:44+01:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2023/12/20/michele-riondino-montalbano-e-suo-e-sara-sempre-e-solo-lui/</loc><lastmod>2023-12-20T18:15:26+01:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2023/12/20/ritrovata-una-copia-del-700-di-lasino-doro-di-lucio-apuleio/</loc><lastmod>2023-12-20T16:29:41+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2023/12/20/restaurato-lunico-caravaggio-del-museo-del-prado/</loc><lastmod>2023-12-20T16:36:45+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/12/17/natale-di-dolore-tra-interessi-egoistici-e-umanita-smarrita-papa-francesco-ha-ragione/</loc><lastmod>2023-12-20T17:03:42+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2023/12/20/se-il-natale-diventa-una-saga-del-consumismo/</loc><lastmod>2023-12-20T18:14:00+01:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2023/12/20/striscia-di-gaza-la-fragile-pausa/</loc><lastmod>2023-12-20T18:13:38+01:00</lastmod></url><url><loc>https://culture.globalist.it/senza-categoria/2023/12/20/iran-in-memoria-di-samira-sabzian-la-sposa-bambina-impiccata-dal-boia-di-stato/</loc><lastmod>2023-12-20T21:57:12+01:00</lastmod></url><url><loc>https://culture.globalist.it/senza-categoria/2023/12/21/la-notte-dellinformazione-corsa-verso-il-baratro/</loc><lastmod>2023-12-21T00:58:01+01:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2023/12/21/luciano-spalletti-anche-il-piu-grande-dei-calciatori-deve-pensare-al-bene-della-squadra/</loc><lastmod>2023-12-21T14:24:53+01:00</lastmod></url><url><loc>https://culture.globalist.it/laboratorio/2023/12/21/io-e-grosso-in-coppia-eravamo-forti-a-biliardino-confessa-luciano-spalletti/</loc><lastmod>2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aele/</loc><lastmod>2024-03-08T15:46:44+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2024/03/08/plagio-il-sottile-margine-tra-autorialita-e-riproduzione-a-trentanni-dal-fair-use-americano/</loc><lastmod>2024-03-12T18:58:27+01:00</lastmod></url><url><loc>https://culture.globalist.it/senza-categoria/2024/03/08/addio-akira-toriyama-padre-di-dragon-ball/</loc><lastmod>2024-03-08T18:58:44+01:00</lastmod></url><url><loc>https://culture.globalist.it/mondo/2024/03/09/il-digital-markets-act-dma-una-nuova-era-per-la-concorrenza-nei-mercati-digitali/</loc><lastmod>2024-03-09T13:13:11+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/09/la-voce-di-lucio-dalla-torna-sul-palco-dellariston-per-un-concerto-tributo/</loc><lastmod>2024-03-09T16:15:15+01:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2024/03/09/in-pubblicazione-un-epistolario-completo-e-inedito-di-giovanni-verga/</loc><lastmod>2024-03-09T18:48:40+01:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2024/03/10/settimana-della-birra-de-gregori-di-nuovo-in-concerto-e-tanti-spettacoli/</loc><lastmod>2024-03-11T12:06:55+01:00</lastmod></url><url><loc>https://culture.globalist.it/mondo/2024/03/10/angeli-o-demoni-gli-smartphone-nelle-scuole/</loc><lastmod>2024-03-10T13:32:31+01:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2024/03/10/book-pride-editoria-indipendente-in-allarme/</loc><lastmod>2024-03-10T16:43:13+01:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2024/03/10/zerocalcare-firma-il-manifesto-di-etnacomics-2024/</loc><lastmod>2024-03-10T18:53:30+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/11/oscar-niente-da-fare-per-io-capitano-vince-la-zona-di-interesse-di-jonathan-glazer/</loc><lastmod>2024-03-11T12:08:43+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2024/03/11/il-popolo-iraniano-in-rivolta-a-difesa-della-cultura/</loc><lastmod>2024-03-11T12:51:32+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/11/oppenheimer-domina-alla-notte-degli-oscar-bene-anche-povere-creature/</loc><lastmod>2024-03-11T16:53:40+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2024/03/11/non-solo-morte-ma-anche-inquinamento-limpressionante-impatto-ambientale-della-guerra/</loc><lastmod>2024-03-11T15:57:14+01:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2024/03/11/esce-io-sono-giacomo-puccini-un-racconto-a-fumetti-del-compositore-lucchese/</loc><lastmod>2024-03-11T16:29:58+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2024/03/11/apparizione-notturna-il-televideo-rai-si-beve-lai-e-prende-una-gran-sbornia/</loc><lastmod>2024-03-11T16:23:50+01:00</lastmod></url><url><loc>https://culture.globalist.it/atenei/2024/03/12/la-console-generale-usa-daniela-ballard-in-visita-alluniversita-di-siena/</loc><lastmod>2024-03-12T18:19:36+01:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2024/03/12/libri-come-allauditorium-parco-della-musica-torna-la-festa-del-libro-e-della-letteratura/</loc><lastmod>2024-03-12T17:35:39+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/12/francesco-de-gregori-e-checco-zalone-per-la-prima-volta-insieme-con-lalbum-pastiche/</loc><lastmod>2024-03-12T19:02:06+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/12/e-morto-eric-carmen-autore-di-all-by-myself-e-hungry-eyes-il-celebre-musicista-aveva-74-anni/</loc><lastmod>2024-03-12T18:30:51+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2024/03/12/elon-musk-candidato-al-nobel-per-la-pace-e-non-e-una-fake/</loc><lastmod>2024-04-05T11:50:53+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/13/tornano-le-giornate-fai-di-primavera-aperti-750-luoghi-culturali-per-celebrare-il-patrimonio-italiano/</loc><lastmod>2024-03-13T18:32:20+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2024/03/13/tiktok-reality-show-senza-filtri-per-la-camorra/</loc><lastmod>2024-03-13T16:24:35+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/13/gli-cccp-annunciano-una-nuova-data-a-firenze/</loc><lastmod>2024-03-13T18:33:06+01:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2024/03/14/la-conversazione-impossibile-tra-pirandello-e-sciascia-di-matteo-collura-ospite-a-la-kasa-dei-libri/</loc><lastmod>2024-03-14T14:38:10+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/14/laquila-e-la-capitale-italiana-della-cultura-per-il-2026/</loc><lastmod>2024-03-14T14:28:50+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/14/spoleto-si-trasforma-in-un-teatro-con-la-67esima-edizione-del-festival-dei-due-mondi/</loc><lastmod>2024-03-14T16:25:33+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2024/03/15/abusi-e-violenze-sulle-donne-lo-sport-non-e-unisola-felice/</loc><lastmod>2024-03-15T10:15:31+01:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2024/03/14/gli-italiani-vedono-tanta-televisione-lo-svela-il-censis-nel-rapporto-sulle-diete-mediatiche/</loc><lastmod>2024-03-14T18:01:18+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2024/01/25/la-giustizia-nella-terra-promessa/</loc><lastmod>2024-03-15T10:22:24+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/16/dantedi-ravenna-e-pronta-a-ricordare-il-sommo-poeta/</loc><lastmod>2024-03-16T07:15:22+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/16/fabbricante-di-lacrime-arriva-su-netflix-il-film-tratto-dal-bestseller-di-erin-doom/</loc><lastmod>2024-03-16T19:28:02+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/16/gazart-in-scena-a-roma-per-la-palestina/</loc><lastmod>2024-03-16T21:25:11+01:00</lastmod></url><url><loc>https://culture.globalist.it/mondo/2024/03/17/prospettive-per-il-futuro-a-35-anni-dalla-nascita-di-internet/</loc><lastmod>2024-03-17T17:15:12+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/18/enrico-mattei-unicona-poliedrica-immortalata-in-una-mostra-fotografica/</loc><lastmod>2024-03-18T15:22:05+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2024/03/18/pacifisti-fondamentalisti-quando-la-non-violenza-e-il-bersaglio-della-violenza/</loc><lastmod>2024-03-18T21:25:23+01:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2024/03/18/alla-scoperta-del-k-pop-di-bologna-e-della-tradizione-enologica-lucana/</loc><lastmod>2024-03-18T12:13:56+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/18/sulla-parete-di-una-palazzina-londinese-unopera-ecologista-di-banksy/</loc><lastmod>2024-03-18T17:22:39+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2024/03/18/guerra-e-identita-i-due-poli-della-memoria-e-della-casa/</loc><lastmod>2024-03-18T14:57:17+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2024/03/18/il-valore-ritrovato-dellopera-di-j-r-r-tolkien/</loc><lastmod>2024-03-18T14:17:22+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2024/03/19/marco-biagi-il-giuslavorista-ucciso-dalle-nuove-brigate-rosse-ventidue-anni-fa/</loc><lastmod>2024-03-19T13:57:49+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/19/i-perturbazione-tornano-con-un-omaggio-a-de-andre-la-buona-novella/</loc><lastmod>2024-03-19T14:50:45+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2024/03/19/putin-ha-ipnotizzato-la-russia-i-perche-di-un-plebiscito-annunciato/</loc><lastmod>2024-03-27T13:07:06+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/19/scerbanenco-incontra-fior-un-connubio-di-letteratura-e-arte-a-milano/</loc><lastmod>2024-03-19T16:14:12+01:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2024/03/19/ricordo-con-malinconia-una-voce-di-trent-anni-fa/</loc><lastmod>2024-03-21T17:11:01+01:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2024/03/19/joe-barone-il-dirigente-della-fiorentina-e-gravissimo-e-in-fin-di-vita-la-situazione/</loc><lastmod>2024-03-19T18:39:25+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2024/03/20/da-ilaria-alpi-a-piazza-alimonda-il-filo-sottile-che-unisce-due-drammi/</loc><lastmod>2024-03-20T09:12:39+01:00</lastmod></url><url><loc>https://culture.globalist.it/atenei/2024/03/20/giornata-internazionale-delle-universita-un-giorno-di-condivisione-e-partecipazione/</loc><lastmod>2024-03-20T14:38:41+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/20/ricomposto-il-polittico-di-santagostino-una-delle-piu-importanti-opere-di-pietro-della-francesca/</loc><lastmod>2024-03-20T19:56:32+01:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2024/03/20/al-via-il-primo-censimento-del-patrimonio-culturale-immateriale/</loc><lastmod>2024-03-20T19:55:53+01:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2024/03/20/un-fumetto-speciale-per-ricordare-giacomo-matteotti-tra-inclusione-e-memoria-storica/</loc><lastmod>2024-03-20T23:48:36+01:00</lastmod></url><url><loc>https://culture.globalist.it/mondo/2024/03/20/openai-lancia-sora-il-modello-capace-di-produrre-video-da-istruzioni-testuali/</loc><lastmod>2024-03-20T19:55:22+01:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2024/03/21/la-serie-mare-fuori-diventa-un-romanzo-sara-un-best-seller/</loc><lastmod>2024-03-21T17:23:56+01:00</lastmod></url><url><loc>https://culture.globalist.it/media-e-tech/2024/03/21/e-nata-alba-renai-la-prima-influencer-figlia-dell-intelligenza-artificiale/</loc><lastmod>2024-03-22T07:40:25+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/21/arriva-nelle-sale-eravamo-bambini-il-film-diretto-da-marco-martani/</loc><lastmod>2024-03-21T17:12:33+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/22/hollywood-aperto-negoziato-fra-tecnici-e-studios/</loc><lastmod>2024-03-22T10:42:21+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2024/03/17/con-la-spiritualita-possiamo-bucare-la-rigidita-degli-algoritmi-e-lomologazione/</loc><lastmod>2024-03-21T17:21:52+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/22/la-marvel-torna-alle-origini-con-x-men-97/</loc><lastmod>2024-03-22T10:48:34+01:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2024/03/22/alla-scoperta-di-emanuela-orlandi-al-di-la-dellindagine/</loc><lastmod>2024-03-23T19:19:39+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2024/03/22/quando-il-vesuvio-erutto-lasciando-gli-americani-con-il-fiato-sospeso/</loc><lastmod>2024-03-22T12:15:36+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2024/03/22/meloni-reginetta-della-politica-spettacolo/</loc><lastmod>2024-03-22T15:43:06+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/23/pacifico-poliedrico-ed-immenso-come-loceano/</loc><lastmod>2024-03-23T16:07:40+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/23/da-san-paolo-a-firenze-ecco-lunico-autoritratto-di-modigliani/</loc><lastmod>2024-03-23T19:25:55+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/23/addio-a-maurizio-pollini-leggenda-del-pianoforte/</loc><lastmod>2024-03-23T17:28:31+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/23/trovata-la-tomba-di-tomasi-di-lampedusa-presso-san-domenico/</loc><lastmod>2024-03-23T19:24:35+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/23/tornano-ufficialmente-i-la-crus-con-un-nuovo-album/</loc><lastmod>2024-03-23T19:27:57+01:00</lastmod></url><url><loc>https://culture.globalist.it/mondo/2024/03/24/raccontare-marconi-a-150-anni-dalla-nascita/</loc><lastmod>2024-03-24T17:27:10+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/25/scoperte-rivoluzionarie-sulledilizia-romana-a-pompei/</loc><lastmod>2024-03-27T13:12:07+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/25/correggio-e-raffaello-in-esposizione-a-castel-gandolfo/</loc><lastmod>2024-03-25T15:57:16+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2024/03/26/olimpiadi-invernali-milano-cortina-2026-da-opportunita-a-minaccia/</loc><lastmod>2024-03-26T13:10:17+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/30/saturnia-film-festival-2024-una-vetrina-per-i-nuovi-talenti/</loc><lastmod>2024-03-30T09:26:51+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/26/supersex-successi-ed-eccessi-di-rocco-siffredi/</loc><lastmod>2024-03-26T16:08:13+01:00</lastmod></url><url><loc>https://culture.globalist.it/life-style/2024/03/26/web-day-la-storia-di-alessandro-rimini-e-spettacoli-teatrali-imperdibili/</loc><lastmod>2024-03-26T17:12:10+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/26/arriva-laccordo-tra-mic-e-demanio-gli-archivi-di-stato-diventano-centri-culturali-polivalenti/</loc><lastmod>2024-03-27T13:16:12+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2024/03/27/chi-si-ricorda-del-covid-e-dellinsegnamento-che-avrebbe-dovuto-lasciarci/</loc><lastmod>2024-03-27T12:58:26+01:00</lastmod></url><url><loc>https://culture.globalist.it/opinioni/2024/03/24/consigli-non-richiesti-al-presidente-meloni/</loc><lastmod>2024-09-19T14:35:31+02:00</lastmod></url><url><loc>https://culture.globalist.it/atenei/2024/03/27/perche-non-ci-indigniamo-al-dispoc-la-presentazione-del-libro-di-paolo-mancini/</loc><lastmod>2024-04-02T14:04:52+02:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/27/angelina-mango-alleurovision-song-contest-rivelata-la-scaletta-delle-semifinali/</loc><lastmod>2024-03-28T15:21:12+01:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2024/03/27/arrivano-i-tiktok-book-awards/</loc><lastmod>2024-03-27T18:04:46+01:00</lastmod></url><url><loc>https://culture.globalist.it/editoria-e-libri/2024/03/27/il-ritorno-inedito-di-lawrence-darabia/</loc><lastmod>2024-03-27T18:18:01+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/28/mirabile-visione-inferno-il-docufilm-di-matteo-gagliardi-per-celebrare-il-dantedi/</loc><lastmod>2024-03-28T18:11:49+01:00</lastmod></url><url><loc>https://culture.globalist.it/arte-e-spettacolo/2024/03/28/al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